Development of film - moving image
Prepare the lighting and consider shot variation.
Lights can be placed anywhere around, above or below the subject being photographed.
For interview lighting techniques show different lighting and composition effects by following these tasks.
1. 150 High, aperture open f2 or f4 etc. Create a still shot of an interviewee by the side of a window (natural light)
2. Add a white piece of card on the opposite side of the paper.
3. Show the subject against the window.
4. Stand between the window and the interviewee (subject)
5. Add a tungsten light to the side of the subject, opposite the window, facing the subject.
6. In the studio – use the large dish tungsten light and then add 45 degree angle in front of the subject.
7. Use this lightning front of the subject, next to the camera.
8. Show the subject in front of a photograph on the wall, (with lighting) – of your choice
9. Show the subject beside the photograph on the wall (with lighting) – of your choice.
10. Show the subject against a plain wall (with lighting)
11. Show the subject lower than the camera (camera high viewpoint, against a plain wall with lighting)
12. Show the subject higher than the camera (camera low viewpoint)
13. Show the camera at eye level with the subject (straight on)
For interview lighting techniques show different lighting and composition effects by following these tasks.
1. 150 High, aperture open f2 or f4 etc. Create a still shot of an interviewee by the side of a window (natural light)
2. Add a white piece of card on the opposite side of the paper.
3. Show the subject against the window.
4. Stand between the window and the interviewee (subject)
5. Add a tungsten light to the side of the subject, opposite the window, facing the subject.
6. In the studio – use the large dish tungsten light and then add 45 degree angle in front of the subject.
7. Use this lightning front of the subject, next to the camera.
8. Show the subject in front of a photograph on the wall, (with lighting) – of your choice
9. Show the subject beside the photograph on the wall (with lighting) – of your choice.
10. Show the subject against a plain wall (with lighting)
11. Show the subject lower than the camera (camera high viewpoint, against a plain wall with lighting)
12. Show the subject higher than the camera (camera low viewpoint)
13. Show the camera at eye level with the subject (straight on)